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阿克塞尔（Axel）、乔纳森（Jonathan）和安娜（Ana）一同住在一所看起来像掩体的房子里，这里仿佛处于一个后灾难世界。外面的景象充满威胁。曾经，他们是完美的三角恋关系，彼此间有着深厚的友谊，但如今这一切已不复存在。安娜和乔纳森在一起，而阿克塞尔形单影只，他逐渐在自己身上纹上苍蝇图案。然而，当阿克塞尔和乔纳森外出后，一切都发生了改变……

In a sun-drenched pastoral world, two teenage shepherds—Daphnis, raised by goats after being abandoned, and Chloe, his devoted companion—explore the innocence and intensity of first love. As they awaken to desire and defy the expectations of wealth and status, their bond deepens in secret. But when Daphnis’s true lineage resurfaces, the lovers must navigate family opposition and the stirrings of adulthood.

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一位陷入执念的小说家在满心愤懑中，与一个奇异维度产生了连接。在这个维度里，一名独行的女孩置身于神秘的都市世界，邂逅了形形色色古怪的角色，随后缓缓朝着宁静的沙漠自然之境前行。在这场穿梭于光明与暗影之间的旅程中，寻得内心平静的希望终将战胜一切。这部电影以其实验性的表现手法为特色，有着刻意为之的……

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Amor En Silencio is a Mexican telenovela, produced and broadcast by Televisa in 1989. The telenovela, which starred Erika Buenfil and Omar Fierro in the lead roles, is most remembered for its shocking scene in which the main heroine, Marisela and her fiancé Fernando are shot to death at their wedding by Fernando's lunatic sister, Mercedes.The infamous scene aired on a Friday night, and left the TV spectators in suspense until the following Monday episode aired.The theme song for the novela was "Amor en Silencio" by Dulce.

After losing all her loved ones fifteen years ago and believing her babies were killed at the hands of the father of her first love, Leona Bravo embarks on a journey of justice against all those who hurt her. In this process, Leona discovers that her children are actually alive and is reunited with an old friend with whom she finds true love. As a result, she will be torn between her desire for justice and rebuilding her bond with her two children, as well as regaining her faith in love.

A filmic reflection on the way in which cinema taught us to live romantic love during the 20th century, building an impossible ideal within our personal relationships. Cinema taught viewers how they had to see it, worse, it showed directors how they had to film it. Based on quotations from early cinema films, Contar el amor discusses the role of sex and violence as central themes in our increasingly broad but, at the same time, less pluralistic audiovisual universe.